ballroom culture在上世纪八九十年代成为以lgbt+群体为代表的亚文化进入主流视线drag queen、voguing等系列“文化产物”对fashion industry、classes、race relations产生巨大影响颠覆传统性别二元认知地下舞池的边缘文化掀起了前所未有的文化革命当然尚处于小众发展时期的群体不可避免地经历“结构性自相冲突”过程--即“being female”or“owning feminine characteristics”的区别如labeija所言“having virgina doesn't means good life, it might be even worse”(后期关于导演褒贬不一的评述以及影片视角的争议似乎更为奇观化)
Dismantling the categories while being bound to them at the same time. They are no spectacles, one deems them so are too privileged to identify with them.